Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas ballerina oil painting


ballerina
mk206 1877-1879 Oil on canvas 66x51cm
Painting ID::  49929 		Edgar Degas
ballerina
mk206 1877-1879 Oil on canvas 66x51cm
   
   
     
Edgar Degas Bete in the cafe oil painting


Bete in the cafe
mk206 1877-1885 Oil on canvas 22.8x20cm
Painting ID::  49930 		Edgar Degas
Bete in the cafe
mk206 1877-1885 Oil on canvas 22.8x20cm
   
   
     
Edgar Degas someone in the corner of stage oil painting


someone in the corner of stage
mk206 1879 Oil on canvas 79x55cm
Painting ID::  49931 		Edgar Degas
someone in the corner of stage
mk206 1879 Oil on canvas 79x55cm
   
   
     
Edgar Degas Mis Cessate in Louvre oil painting


Mis Cessate in Louvre
mk206 about 1879 Oil on canvas 71x54cm
Painting ID::  49932 		Edgar Degas
Mis Cessate in Louvre
mk206 about 1879 Oil on canvas 71x54cm
   
   
     
Edgar Degas Dancer at Background oil painting


Dancer at Background
mk206 1878-1880 Oil on canvas 69.2x50.2cm
Painting ID::  49933 		Edgar Degas
Dancer at Background
mk206 1878-1880 Oil on canvas 69.2x50.2cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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